Robert Weston (Bob) Smith (January 21, 1939 - July 1, 1995) became world famous in the 1960s and 1970s as a disc jockey using the stage name of Wolfman Jack.

Bob Smith was a fan of disc jockey Alan Freed who helped to turn African-American rhythm and blues into Caucasian rock and roll music. Freed had originally called himself the Moondog after hearing the name used by someone else. Freed not only adopted this name but used the recording of a howl to give his early broadcasts a unique character. Bob Smith also adopted the Moondog theme by calling himself Wolfman Jack and adding his own sound effects.

Once Bob Smith found fame he stuck with the name Wolfman Jack and attempted to mask his true identity in order to create public interest in his radio character. The hip, sexually suggestive Wolfman Jack persona allowed Smith to ignore the prevailing racial segregation of American radio.

Radio career

According to former disc jockey Don Logan, Bob Smith's career began on KCIJ-AM, a daytime station in Shreveport, Louisiana. In Shreveport, Gordon McLendon owned KEEL-AM as a part of his very successful group of stations which was challenged by a KREB-AM, a new station formed by Larry Brandon from the defunct KENT-AM. A radio "war" for the same listeners took place, in which Brandon ultimately lost and KREB also went off the air. Other sources, including the Radio Hall of Fame (http://www.radiohof.org/discjockey/wolfmanjack.html) and Wolfman Jack's autobiography (Have Mercy!) state that he started his career as "Daddy Jules" at WYOU-AM in Newport News, Va. in 1960.

Larry Brandon then made a deal with attorney Arturo Gonzalez in Del Rio, Texas, who operated the Inter-American Radio Advertising, Inc. sales agency for XERF from his law office on Pecan Street. XERF was one of the Mexican border blasters that transmitted with power far in excess of the licensed commercial radio stations in the United States which were limited to 50 kW on AM. XERF had a 500 kW RCA transmitter that broadcast on a clear channel from Ciudad Acuña, Coahuila, just across the Rio Grande river from Del Rio.

Larry Brandon bought all of the available night time hours and with Don Logan, Buddy Blake and Bob Smith began making prerecorded radio shows on 10 inch, one hour tapes which were then mailed by Brandon from Shreveport to Gonzelez in Del Rio who had them delivered to Ciudad Acuña for airplay. According to Logan these programs replaced the preachers and went out from 6pm to 6am, but Logan also says that only six hours of programming was recorded per day and leaves the impression that the tapes were repeated.

Brandon's programming on XERF reached Shreveport which according to Logan presented a conflict of interest for the people who were making them. However, it was on these taped programs that Bob Smith began to morph into Wolfman Jack in order to conceal his real identity from the XERF listeners and from his daytime employers at KCIJ-AM in Shreveport. Logan says that when Smith began to create his gravely voiced character of Wolfman Jack to which he added a howl, he told Bob Smith:

That howl of yours would wake a dead man and that dead man might be Hank Williams and he, sure as hell, doesn't want you "Howling at the Moon."

Again according to Logan, the taping came to an end when Brandon began offering XERF listeners an autographed picture of Jesus. It was then that Bob Smith took off from Shreveport to visit Arturo Gonzalez at his law office on Pecan Street in Del Rio. It was Gonzalez who sent him across the U.S.-Mexico border each day to do live programs from the studio of XERF at Ciudad Acuña for Inter-American Radio Advertising, Inc., which Gonzalez operated from his law office.

Wolfman Jack's program was broadcast to much of the United States, into Canada and via AFN Europe from 9 to 10 p.m.. He played whatever music he liked, regardless of the performer's ethnicity. Any night a listener might hear a mix of blues music, rockabilly, doo-wop, zydeco, rock and roll, jump blues, rhythm and blues or jazz.

He frequently punctuated his broadcasts with howls, which, along with his gravelly voice, made him instantly recognizable. His style was borrowed from both Alan Freed and bluesman Howlin' Wolf. Many listeners assumed that Bob Smith was African American, though in fact he was of European descent.

His career from 1962 to 1964 in Ciudad Acuña was not without incident because he twice found himself involved in gun play during which victims died. Due to the lawlessness of the area, Bob Smith, after a brief detour to a Minneapolis station, took himself and his character of Wolfman Jack towards the West Coast and XERB, another border blaster that could reach Los Angeles, California.

In 1972 Wolfman Jack was brought into WNBC in New York, to engage in a high-profile ratings battle with WABC Top 40 legend "Cousin Brucie" Bruce Morrow. In this the Wolfman failed to gain much traction.

Film, television, and music career

In the early days, Wolfman Jack made sporatic public appearances, usually as an MC for for rock bands at local LA clubs. Each time he made an appearance he looked a little differnt because Bob Smith hadn't decided on what "The Wolfman" should look like. Early pictures always show him with a goatee however sometimes he has his straight hair combed forward and dark makeup on his face making him look somewhat "ethnic." Other times he has a big afro wig and large sunglasses covering his eyes. It wasn't until he appeared in the 1969 film, "The Committee," (A montage of skits by the seminal comedy troupe The Committee) that mainstream America got an opportunity to get a good look at Wolfman Jack. 4 years later he appeared in director, George Lucas' second feature film, American Graffiti as himself. His broadcasts tie the film together and a main character catching a glimpse of the mysterious Wolfman is a pivotal scene. Lucas also gave the Wolfman a fraction of a "point", the divination of the profits from a film, in gratitude for his participation in the seminal project and it was the proceeds from this that finally allowed the deejay to be assured a regular income for the rest of his life.

Subsequently, Bob Smith appeared in several films and television shows as Wolfman Jack. They included The Midnight Special; The Wolfman Jack Show, The Odd Couple, What's Happening,Vega$, "The Hollywood Squares", Married...With Children, and Galactica 1980 in which he interacts with a Cylon Centurion.

He also furnished his voice in the 1974 Guess Who's tribute, the top 40 hit single, "Clap for the Wolfman". A couple of years earlier, Todd Rundgren had recorded a similar tribute, "Wolfman Jack" on the album Something/Anything?.

In July 1974 Wolfman Jack was the MC for the Ozark Music Festival, a three-day event at the Missouri State Fairgrounds, in Sedalia, Missouri. This was a huge Rock Festival and some estimates have put the crowd count at 350,000 people which would make this one of the largest music events (Rock Festivals) in history.

Radio Caroline

When the one surviving ship in what had originally been a pirate radio network of Radio Caroline North and Radio Caroline South sank in 1980, a search began to find a replacement. Due to the laws passed in the UK in 1967, it became necessary for the sales operation to be situated in the USA. For a time the manager of Wolfman Jack acted as the West Coast agent for the planned new Radio Caroline.

As a part of this process Wolfman Jack was set to deliver the morning shows on the new station. To that end Wolfman Jack did record a number of programs which were never aired due to the failure of the station to come on air according to schedule. (It eventually returned from a new ship in 1983 which remained at sea until 1990.) Today those tapes are traded among collectors of his work.

Death

Wolfman Jack died of a heart attack in Belvedere, North Carolina, on July 1, 1995, at only 56 years of age. The day before his death, he had finished broadcasting his last live radio program, a weekly program nationally syndicated from Planet Hollywood in downtown Washington, D.C. Wolfman Jack said that night "I can't wait to get home and give Lou a hug, I haven't missed her this much in years." Wolfman had been on the road, promoting his new autobiography Have Mercy!. Lou Lamb Smith, Wolfman's wife did get that hug. She met Wolfman at the door of their home as he arrived from the airport. He opened his arms wide, smiled and said "One more time." As Lou went to hug him, Wolfman collapsed in her arms, and died. His business, Wolfman Jack Productions, is still listed in the local phone book.