Starring: Dave Foley, Stephen Root Director: Peter Baldwin, Rick Beren

With its shaky five-season tenure (1995-99) including a dozen different time slots and only one major Emmy nomination, the outstanding NewsRadio is the atypical sitcom of its age. While most of the '90s sitcoms were based around a single big name talent (Jerry Seinfeld, Candice Bergen, Drew Carrey), NewsRadio came from the same stock from earlier shows Taxi and Cheers: a relatively unknown cast that rarely ventured away from the place of business. These first 29 episodes (7 as a mid-season replacement the first year), deliver a consistently hilarious show about the day-to-day life with the eccentric staff of New York radio station WNYX. Creator Paul Simms (The Larry Sanders Show) built a talented cast relying on expert delivery and character traits instead of goofy situations. The most famous cast member, Saturday Night Live's Phil Hartman, went against the grain of most SNL veterans and gleefully took a supporting role, the pompous, silver-tongued anchor Bill McNeal. The lead--the glue--of the series is Kids in the Hall member Dave Foley as the earnest new station manager, Dave Nelson. Soft but eager, Nelson plays lion-tamer delicately maneuvering around staff to keep the station humming along. This is complicated from the get-go when he falls into a secret, but very cute affair with Lisa (Maura Tierney), the ace reporter.

The station, like Mary Tyler Moore's TV crew two decades earlier, has a good balance between funny folks and just plain whackos. The former includes Stephen Root as the rich yet time-crunched owner, Joe Rogan as the fix-it man, and Khandi Alexander as Bill's tart co-anchor. The latter is embodied in Andy Dick as the helpless Matthew, a sublime airhead whose comic highjinks are often the show's hardest laughs, and Vicki Lewis, continuing the famous TV tradition of the lovable ditzy secretary that knows all. But the legacy of the show belongs to Hartman who tragically died after the fourth season. His comic bravura is balanced with the ability to play the fool. In one perfect scene, Lisa walks by with only a bra on (don't ask) and Bill doesn't move, reading his newspaper. Lisa returns to slap him anyway, shocking him. "I didn't say anything." Lisa retorts, "You were thinking it" and walks away. Hartman eases into a juicy, soft smile and returns to reading, "Well, that's fair."

If you're not a fan of commentary tracks, you won't find the love and care that went into this DVD set. There are commentaries on 20 of the 27 episodes with the cast and crew rotating duties. The nice thing about a cast full of comics is that the commentaries are very funny and rewarding for fans. We hear about the casting of the show, Foley's uncanny ability to memorize a script, the art of the archaic reference, and how the fix-it man was--for the half the pilot--Ray Romano. But if you don't have time for the commentaries, watch and laugh hard at the 10-minute (!) gag reel.

Starring: Megan Follows, Colleen Dewhurst Director: Kevin Sullivan

This video is the sequel to the beloved children's book and video Anne of Green Gables. It continues the story of Anne Shirley, an imaginative and headstrong young orphan in 1890s Canada, whose hot temper matches her red hair. Anne of Green Gables told of Anne's adoption by an elderly brother and sister, Marilla (Colleen Dewhurst) and Matthew Cuthbert, and her childhood adventures in the idyllic village of Avonlea on Prince Edward Island. Anne of Avonlea takes up the story soon after Matthew's death, when Anne has graduated from college. It follows her struggles and adventures as an aspiring writer and English teacher in a private school on the mainland. Girls seven and older, as well as adults, will enjoy this intelligent and beautifully made film, first shown on PBS. It's filled with themes parents can discuss with their daughters--including self-reliance, generosity, and perseverance. It also gives a realistic portrayal of the situation for women during this historical period, through characters that are multifaceted and human. Anne's struggle to find her voice as a writer, to handle difficult people maturely, to stay optimistic despite setbacks, and to nurture her students are both thought provoking and entertaining. Girls will also enjoy Anne's romantic travails, as she tries to decide between two suitors: her childhood friend Gilbert, and a rich, handsome, and mysterious widower. The film is beautifully filmed, and the costumes and settings portray an idyllic time and place. The cast is excellent. Megan Follows as the spirited Anne and Dewhurst as the gruff but tender Marilla give especially fine performances.

Starring: Tom Selleck, Steve Guttenberg Director: Leonard Nimoy

Not nearly as good as the original French comedy, Three Men and a Cradle, upon which this is based, Three Men and a Baby nevertheless is decent brain candy directed with some crackle by Leonard Nimoy. Tom Selleck, Steve Guttenberg, and Ted Danson star as three swinging bachelor roommates who find a baby girl on their doorstep--the daughter of Danson's character (who doesn't know about her) by a woman (Nancy Travis) with whom he had a brief fling. The jokes about dirty diapers and feeding schedules are predictable, but the film gains real warmth from Selleck, who does a convincing job playing a fellow whose life is changed for the better by added responsibility. A distracting subplot involving some bad guys threatens to derail everything, and the ending is a bit unconvincing as filmed, but the virtues of this movie finally win out over its weaknesses.

Starring: Julia Sweeney, Dave Foley Director: Adam Bernstein

Pat Riley, an obnoxious busybody of undeterminable sex, meets and falls in love with Chris, a sensitive, caring person also of undeterminable sex. Their relationship suffers because Pat's a lout, and cannot decide on a direction for its life. Meanwhile, Pat's neighbor Kyle falls further and further into obsession with Pat, fascinated by its indeterminate sexuality.

Starring: Dave Foley, Bruce McCulloch Director: Kelly Makin

Moviegoers never caught on to its brilliance, but Brain Candy is a smart, outrageously inventive vehicle for Canada's most irreverent comedy troupe. The subtly subversive plot is about society's ongoing search for the perfect "happy drug," and the Kids inhabit a multitude of costumes and characters as they celebrate--and lament--the invention of "Gleemonex," the ultimate antidepressant, which locks users into their happiest memories... and subsequently renders them comatose. No worries for the Roritor Chemical Company; they don't care much about side effects! With rampant riffs on heavy-metal doomsayers, closeted gay husbands (resulting in Scott Thompson's hilarious coming-out musical), blissed-out grandmothers, and all varieties of corporate greed-mongers, Brain Candy is almost too hip for its own good, combining Pythonesque ingenuity with cutting social satire. As a comedic experiment it's hit-and-miss, but with the cross-dressing Kids running the show, it's likely to leave you laughing out loud.

Starring: Dave Foley, David Anthony Higgins Director: David Steinberg

Dave Foley plays a shallow, self-absorbed, and really, really stupid corporate executive who hits the lonely road as a clueless fugitive running from a murder he didn't commit. In fact, despite his best efforts to incriminate himself, he's not even a suspect. Not that you could convince him of that. The Wrong Guy is a slow starter--Foley's obsequious idiot is not a particularly likeable chap--but once he falls for narcoleptic small-town sweetie Jennifer Tilly (who has surprisingly good chemistry with Foley) the film slows to his lazy comic pace and the laughs start to come. Colm Feore costars as the stone cold killer who pegs Foley's slack-jawed half-wit as a cunning master detective dogging his trail. As you can see this is hardly sophisticated stuff, but fans of Foley's understated reactions to absurd situations will get a kick out of this utter silliness.

Starring: Krista Adair, Mason Adams Director: Michael Grossman, David Carson

Originally broadcast in April and May of 1998, the epic miniseries From the Earth to the Moon was HBO's most expensive production to date, with a budget of $68 million. Hosted by executive producer Tom Hanks, the miniseries tackles the daunting challenge of chronicling the entire history of NASA's Apollo space program from 1961 to 1972. For the most part, it's a rousing success. Some passages are flatly chronological, awkwardly wedging an abundance of factual detail into a routine dramatic structure. But each episode is devoted to a crucial aspect of the Apollo program. The cumulative effect is a deep and thorough appreciation of NASA's monumental achievement. With the help of a superlative cast, consistent writing, and a stable of talented directors, Hanks has shared his infectious enthusiasm for space exploration and the inspiring power of conquering the final frontier.

NASA's complete participation in the production lends to its total authenticity, right down to the use of NASA equipment, launch locations, and even spacecraft. The re-creation of the lunar landscape is almost as impressive as the real thing and is further enhanced by the use of helium balloons to lighten the actors playing moon-walking astronauts. (These and other backstage details are revealed in the "making of" featurette, along with a wealth of supplemental materials, on a bonus disc in the miniseries' DVD package.) With a fictional, Walter Cronkite-like TV reporter (Lane Smith) serving as the dramatic link for all 12 episodes, this ambitious production may not be a great work of art. But as a generous and definitive example of nonfiction drama, it's full of the same kind of awe, inspiration, and humanity that led to "one giant leap" in the all-too-short history of 20th-century space exploration.

Starring: Dave Foley, Kevin Spacey Director: John Lasseter, Andrew Stanton

There was such a magic on the screen in 1995 when the people at Pixar came up with the first fully computer-animated film, Toy Story. Their second feature film, A Bug's Life, may miss the bull's-eye but Pixar's target is so lofty, it's hard to find the film anything less than irresistible.

Brighter and more colorful than the other animated insect movie of 1998 (Antz), A Bug's Life is the sweetly told story of Flik (voiced by David Foley), an ant searching for better ways to be a bug. His colony unfortunately revolves around feeding and fearing the local grasshoppers (lead by Hopper, voiced with gleeful menace by Kevin Spacey). When Flik accidentally destroys the seasonal food supply for the grasshoppers he decides to look for help ("We need bigger bugs!"). The ants, led by Princess Atta (Julia Louis-Dreyfus), are eager to dispose of the troublesome Flik. Yet he finds help--a hearty bunch of bug warriors--and brings them back to the colony. Unfortunately they are just traveling performers afraid of conflict.

As with Toy Story, the ensemble of creatures and voices is remarkable and often inspired. Highlights include wiseacre comedian Denis Leary as an un-ladylike ladybug, Joe Ranft as the German-accented caterpillar, David Hyde Pierce as a stick bug, and Michael McShane as a pair of unintelligible pillbugs. The scene-stealer is Atta's squeaky-voiced sister, baby Dot (Hayden Panettiere), who has a big sweet spot for Flik.

More gentle and kid-friendly than Antz, A Bug Life's still has some good suspense and a wonderful demise of the villain. However, the film--a giant worldwide hit--will be remembered for its most creative touch: "outtakes" over the end credits à la many live-action comedy films. These dozen or so scenes (both "editions" of outtakes are contained here) are brilliant and deserve a special place in film history right along with 1998's other most talked-about sequence: the opening Normandy invasion in Saving Private Ryan.

The video also contains Pixar's delightful Oscar-winning short, Geri's Game. Box art varies.

Starring: Brendan Fraser, Alicia Silverstone Director: Hugh Wilson

Coasting on the successes of Gods and Monsters and George of the Jungle, Brendan Fraser turns in yet another winning performance in this fish-out-of-water comedy in which Pleasantville meets modern-day Los Angeles, with predictably funny results. Fraser stars as Adam, who was born in the bomb shelter of his paranoid inventor dad (a less-manic-than-usual Christopher Walken), who spirited his pregnant wife (Sissy Spacek, in fine comic form) underground when he thought the Communists dropped the bomb (actually, it was a plane crash). Armed with enough supplies to last 35 years, the parents bring up Adam in Leave It to Beaver style with nary any exposure to the outside world. When the supplies run out, and dad suffers a heart attack, Fraser goes up to modern-day L.A. for some shopping and long-awaited culture shock. More of a cute premise with lots of clever ideas attached than a fully fleshed out story, Blast from the Past is also supposed to be part romantic comedy, as the hunky Adam hooks up with his jaded Eve (Alicia Silverstone) and tries to convince her to marry him and go underground. The sparks don't fly, though, because Silverstone is saddled with the triple whammy of being miscast, playing an underwritten character, and suffering a very bad hairdo. Fraser, however, carries the film lightly and easily on his broad, goofy shoulders, mixing Adam's gee-whiz innocence with genuine emotion and curiosity; only Fraser could pull off Adam's first glimpse of a sunrise or the ocean with both humor and pathos. Also winning is Dave Foley as Silverstone's gay best friend, who manages to make the most innocuous statements sound like comic gems.

Starring: Deb Adair, Mary Kay Bergman Director: Trey Parker

OK, let's get all the disclaimers out of the way first. Despite its colorful (if crude) animation, South Park: Bigger, Longer & Uncut is in no way meant for kids. It is chock full of profanity that might even make Quentin Tarantino blanch and has blasphemous references to God, Satan, Saddam Hussein (who's sleeping with Satan, literally), and Canada. It's rife with scatological humor, suggestive sexual situations, political incorrectness, and gleeful, rampant vulgarity. And it's probably one of the most brilliant satires ever made. The plot: flatulent Canadian gross meisters Terrance and Philip hit the big screen, and the South Park quartet of third graders--Stan, Kyle, Kenny, and Cartman--begin repeating their profane one-liners ad infinitum. The parents of South Park, led by Kyle's overbearing mom, form "Mothers Against Canada," blaming their neighbors to the north for their children's corruption and taking Terrance and Philip as war prisoners. It's up to the kids then to rescue their heroes from execution, not mention a brooding Satan, who's planning to take over the world.

To give away any more of the plot would destroy the fun, but this feature-length version of Trey Parker and Matt Stone's Comedy Central hit is a dead-on and hilarious send-up of pop culture. And did we mention it's a musical? From the opening production number "Mountain Town" to the cheerful antiprofanity sing-along "It's Easy, MMMKay" to Satan's faux-Disney ballad "Up There," Parker (who wrote or cowrote all the songs) brilliantly shoots down every earnest musical from Beauty and the Beast to Les Miserables. And in advocating free speech and satirizing well-meaning but misguided parental censorship groups (with a special nod to the MPAA), Bigger, Longer & Uncut hits home against adult paranoia and hypocrisy with a vengeance. And the jokes, while indeed vulgar and gross, are hysterical; we can't repeat them here, especially the lyrics to Terrance and Philip's hit song, but you'll be rolling on the floor. Don't worry, though--to paraphrase Cartman, this movie won't warp your fragile little mind. Unless you have something against the First Amendment.

Starring: Tom Hanks, Tim Allen Director: John Lasseter, Ash Brannon

John Lasseter and his gang of high-tech creators at Pixar create another entertainment for the ages. Like the few great movie sequels, Toy Story 2 comments on why the first one was so wonderful while finding a fresh angle worthy of a new film. The craze of toy collecting becomes the focus here, as we find out Woody (voiced by Tom Hanks) is not only a beloved toy to Andy but also a rare doll from a popular '60s children's show. When a greedy collector takes Woody, Buzz Lightyear (Tim Allen) launches a rescue mission with Andy's other toys. To say more would be a crime because this is one of the most creative and smile-inducing films since, well, the first Toy Story.

Although the toys look the same as in the 1994 feature, Pixar shows how much technology has advanced: the human characters look more human, backgrounds are superior, and two action sequences that book-end the film are dazzling. And it's a hoot for kids and adults. The film is packed with spoofs, easily accessible in-jokes, and inspired voice casting (with newcomer Joan Cusack especially a delight as Cowgirl Jessie). But as the Pixar canon of films illustrates, the filmmakers are storytellers first. Woody's heart-tugging predicament can easily be translated into the eternal debate of living a good life versus living forever. Toy Story 2 also achieved something in the U.S. two other outstanding 1999 animated features (The Iron Giant, Princess Mononoke) could not: it became a huge box-office hit.

Starring: Brendan Fraser, Bridget Fonda Director: Henry Selick

Brendan Fraser plays the best-looking cartoonist you'll ever see in Monkeybone. Stu (Fraser) has created an animated character named Monkeybone, who sprang from his repressed sexual anxieties. He's just sold his animated series to a cable channel, and is being bombarded with proposals for toys and other marketing extravaganzas, when he and his girlfriend Julie (Bridget Fonda) get into a car wreck and Stu falls into a coma. But comas are much more complicated than you might expect: Stu finds himself in Down Town, where lives a mixture of other people in comas and figments of these people's imaginations. Naturally, Monkeybone himself is there, and he and Stu quickly start fighting like cats and dogs. When Stu realizes that his sister, due to a pact they once made, is preparing to pull the plug on him, Stu makes a deal with Hypnos, the god of sleep, to help him steal a golden ticket from Death himself (or herself, as Death is played by Whoopi Goldberg). Sound complicated? Well, from there it only gets more ornate. Monkeybone is a bit of a mess, but it's never boring, and every now and then it roars to amazingly dynamic life. Fraser is excellent, and the strong supporting cast includes Giancarlo Esposito (Do the Right Thing), Rose McGowan (Scream), Dave Foley (Brain Candy), and Saturday Night Live's Chris Kattan as a gymnast with a broken neck who... well, it's a bit complicated to explain. A crazy quilt of a movie, chock-full of delirious ideas and inspired moments.

Starring: Lance Bass, Joey Fatone Director: Eric Bross

Befitting its boy-band sensibility, On the Line is an amiable vehicle for 'N Sync's Lance Bass, who makes his star-producer debut with this bright-eyed romantic comedy. Bass plays a Chicago adman who meets the girl of his dreams (newcomer Emmanuelle Chriqui) on the "L" train but fails to get her name and phone number. His roommates (including 'N Sync bandmate Joey Fatone) devise a scheme to find the elusive "L-train girl," and like the similarly plotted Serendipity, this love-struck scenario plays out with standard-issue subplots and supporting characters, propelled by a pleasant pop soundtrack and a soulful appreciation for the music of Al Green (who makes one of several celebrity cameos). On the Line was sanitized for a younger audience (with obvious dubbing to replace cruder language), but the squeaky-clean approach is refreshing, even when an end-credit sequence (featuring 'N Sync's Chris Kirkpatrick and Justin Timberlake) suggests a comedic vitality that the rest of the movie lacks.

Starring: Seann William Scott, Timm Sharp Director: Drew Daywalt, David Schneider

This was one of those movies we rented without ever hearing anything about. We did not know what to expect and we loved it!!! Seann W Scott finally showed us some talent, just as the rest of the cast. The movie is about this group of people that plan on robbing a bank, right next to a night club. They have a huge party, or better a rave, at the club to keep the noise level high so they can rob the bank. It's a really fun movie, fast paced, very entertaining.

Starring: Mike Vogel, Vince Vieluf Director: Casey La Scala

While the rest of his high school graduating class is heading to the same old grind of college, skateboarder Eric Rivers and his best friends, Dustin, a goal-oriented workaholic, and misfit slacker Matt have one last summer roadtrip together to follow their dream of getting noticed by the professional skateboarding world--and getting paid to skate. When skating legend Jimmy Wilson's skate demo tour hits town, the boys figure that as soon as he sees their fierce tricks, he'll sign them up for his renowned skate team immediately, right? Unfortunately, the guys are intercepted by Jimmy's road manager and they can't get their foot in the door, much less their boards. But they do get some free advice: keep skating, stay true to yourself, and stay in the game--if you're good, you'll get noticed. Following their dream-- and Jimmy's national tour--Eric, Dustin and Matt start their own skate team, reluctantly sponsored by Dustin and his college fund. After recruiting laid-back ladies man Sweet Lou to join their crew and provide the wheels for their tour, team Super Duper launches the ride of their lives in an outrageous road trip from Chi-town to Santa Monica. The professional scene doesn't exactly welcome nobody skaters, but these outsiders stick together through extreme misadventures. In their quest to go pro, they meet professional vert skating champions Bucky Lasek, Bob Burnquist and Pierre Luc Gagnon, skate pro Bam Margera and his crew Preston Lacy, Ehren Danger McGhehey and Jason Wee Man Acuña, as well as sexy skate chick Jamie as they grind handrails across America and force the skateboarding world to give 'em a piece of the action.

Starring: Bruce Taylor, David Cross (II) Director: Troy Miller

Bob Odenkirk and David Cross, creators and stars of the HBO comedy sketch series Mr. Show, bravely stretch one of that program's premises and characters into a generally successful, feature-length film in Run Ronnie Run! Cross plays Ronnie Dobbs, a trailer-park nitwit whose pranks find him routinely chased by small-town police. When an L.A. television producer (Odenkirk) discovers Ronnie is a favorite and frequent felon on a reality TV show, he signs Dobbs to his own series (Ronnie Dobbs Gets Arrested!) and re-settles him in Beverly Hills. Unprepared for fame, money, and power, Ronnie tries reinventing his life with mixed results. Much of Run Ronnie Run! is funny, though Cross--always a strong performer--is typically better than the material. The film works best as a showcase for sight gags and one-note sketches; among the latter is a great piece involving a self-help guru and a cameo by Jeff Goldblum.

Starring: Matt Dillon, Steve Zahn Director: Mitch Rouse

When David Walsh (Matt Dillion) wakes up, his life is the picture of perfection: a beautiful fiance, Sarah (Christina Applegate), and a dream job as a manager of a bank--even his best friend Jack (Steve Zahn) an incompetent con artist, can't bring him down. That is, until his entire life dissolves into chaos. Nothing can prepare him for the twists and turns his day takes when a bank robbery and millions of dollars become part of the day from hell.

Starring: Michael Angarano, Kurt Russell Director: Mike Mitchell

The idea of a high school for superheroes will appeal to teens and preteens, who struggle powerlessly with petty authoritarians, bullying peers, and their own rampant hormones, and Sky High spotlights young Will Stronghold (Michael Angarano, Lords of Dogtown), the son of top-of-the-heap superheroic couple the Commander (Kurt Russell, Tango & Cash) and Josie Jetstream (Kelly Preston, View from the Top). Unfortunately, though he's about to be dropped into the midst of kids who can stretch, turn to living stone, or shoot fire, Will has yet to develop any powers at all--and may never develop them. His development anxieties (and some entertaining metaphors for high school social hierarchies) contrast with a bubbling plot by an old foe of the Commander's to destroy Sky High and all of superhero-dom. Sky High has a great supporting cast (including Bruce Campbell, Army of Darkness; Dave Foley, NewsRadio; Lynda Carter, Wonder Woman; and Cloris Leachman, Young Frankenstein) and a handful of funny, offhand bits, but the bulk of the movie is bland and obvious. Younger kids may not mind the clumsy action scenes, generic dialogue, and tacky production design, but even comic-book-loving teenagers will label Sky High bargain-basement.